Spectacle Arts works with artists, organizers, media owners, labels and studios to fortify and elasticize art and culture in the brave new world of media and communications arts.

Clients & Collaborators
RiffRaffFilms.TV
BoilerRoom.TV
Atlantic Records
The Face 
Warner Music’s The Firepit x
.Apple Music
.Channel 4
.YouTube
Somesuch.Co
Wieden Kennedy
Luca.Earth
Lonely Leap
Little Dot Studios
We Are Vaia, Santiago
The New Statesman
Brooklyn Magazine
Ashoka Innovators for the Public

Film Art Dir.
Keyboard Fantasies  : The Story of Beverly Glenn Copeland. Barbican, MoMA PS1 2019 premieres. 2020 Official Selection : BFI Flare London LGBTQ+ Film Festival, International Film Festival Rotterdam, CPH:DOX

Campaign Creative Dir. 
Play with Your Selves, Parker Day for Tally Weijl International Women’s Day (LA)
Tape Sessions, Live Sessions format Levis Music Project Artists 
Voice Documentary & Your Voice Your Way, Levis Europe (Paris, Barcelona, London)

Artist Studios
Marco Brambilla Studio
Earl Virtual Innovation Lab  & XR Creative :
Technicolor Experience Center Motion Capture Stage Residency  
RÄTHEL & WOLF London Fashion Week SO Gallery
Fossil Optical : Desert X Jenny Holzer, Rolling Stones, Resist Trumpism

Community Arts & Culture
V&A Lates Hackney Wick x Common Unity : Innovation in Community Space & the Evolving Role of the Artist
TATE Exchange x Public Works’ School of Civic Action : Commune
2030 Records
Women Music Tech LA
Mindmakers Project
@* Acid Pop Miami
TedX Imaging the Future
Stageless : New Writing
Clean Up the Internet
BRUITS Melodic Distraction Radio
Shunyata Healing Arts 

Spectacle Development Slate
The Birth of the Device &
The Post Medium Age
Influencers Never Existed
CatsInFruitHats.TV : An infinite playlist
Spectra Ui & Internet Muralism
Women of UK Pirate Radio
Suspect Devices & Gorgeous Machines : The Inventions of Pink Floyd’s Lighting Engineer
Earth Rot : HaHa Sounds Collective Performs David Axelrod’s 1970 Earth Opera
Glitch Hop
Women Music Tech : Rewriting the archive, Daphne Oram to Wendy Carol
Avatar Rinstas : The New Image Aesthetics of Self Portraiture
50 Secrets of Magical Craftsmanship

Teaching & Talks
The Disappearing Margin between Content and Advertising. American University | Design & Cosmology. Colorado College | Design Thinking Teaching Fellowship Finalist. Stanford DSchool | Invisible Design. American Anthropological Association In/Visibility : Projects, Media & Politics | Phenomenology & 3D.  School of Visual Arts NY Still Mediated & Moving : The Image Today and It’s Effects on Time & Space 

Education 
Department of Music Field Recording & The Soundscape. Department of Computing HTML CSS. Goldsmiths Short Courses | Design, Typography & History of Art. Valencia Term | M.Sc. Visual Anthropology, University of Oxford. Creative Director Oxford Left Review, Edgar Wind Art History Journal, Isis Editorial Magazine, British Forum Ethnomusicology Making Sound Objects, Oxide Radio : Touring the Soundscape | B.A. Music & Visual Anthropology. Colorado College

Awards 
D&AD Pencil ‘Portrait of a Generation’ 100 teens b. 2000 London Glasgow, Brighton, Birmingham 2019 Best Use of Street Casting. Dazed Beauty : Is this the future of casting. Produced by Somesuch & Co for Uncommon Creative Studio. 

Background Art
Lillian F Schwartz ‘Proxima Centauri’ (1968) Adapted by Whitney Conti with Overhead Projector, Ripple Tank, Half Dome . Proxima Centuri originally featured as a  kinetic sculpture for the 1968 MoMA “The machine as seen at the end of a mechanical age,” IBM Gallery of Science & Art & as a VFX prop to imprison Spock’s brain in a “Star Trek” episode.

London